apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Alexei Antipowitsch Potechin
Portrait of Alexei Antipowitsch Potechin by Nikolai Ge

plate no. 9795

Portrait of Alexei Antipowitsch Potechin

Nikolai Ge, 1876

oil, canvasRealismportraitportraitfiguremanbeardhairclothing
some experience helpful

Recreating this painting will help students develop skills in portrait painting, particularly in capturing likeness and rendering realistic skin tones. It also emphasizes the importance of value control to create depth and form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition and proportions of the figure.

  2. step 02

    Establish the background color using a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the dark areas of the clothing and hair with a mix of black and burnt umber.

  4. step 04

    Begin building up the skin tones using layers of raw sienna, burnt sienna, and white.

  5. step 05

    Pay close attention to the highlights and shadows on the face to create form.

  6. step 06

    Add details to the hair and beard using small brushstrokes and varying values.

  7. step 07

    Refine the details of the hand and the object on the table.

  8. step 08

    Adjust the overall values and contrast to create a sense of depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · black · yellow ochre · red oxide

Achieve skin tones by mixing raw sienna, burnt sienna, and white in varying proportions. Use burnt umber and black for the dark areas of the clothing and hair. Add small amounts of yellow ochre or red oxide to warm up the skin tones.

techniques

  • ·value studies
  • ·layering
  • ·blending
  • ·portraiture
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions
  • →flat skin tones
  • →over-blending
  • →losing the likeness
  • →ignoring value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·black oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy