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home·artworks·Portrait of Alexander Gerd
Portrait of Alexander Gerd by Mykola Yaroshenko

plate no. 5779

Portrait of Alexander Gerd

Mykola Yaroshenko

oilRealismportraitportraitmanbeardglasseschairfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic textures. It also provides practice in subtle color mixing and creating depth through value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hands.

  2. step 02

    Establish the background with broad, blended strokes, creating a soft, atmospheric effect.

  3. step 03

    Block in the main areas of color for the face, hair, beard, and clothing, paying attention to the overall value structure.

  4. step 04

    Begin refining the facial features, focusing on the eyes, nose, and mouth, and capturing the likeness of the subject.

  5. step 05

    Add details to the hair and beard, using small, broken strokes to create texture and dimension.

  6. step 06

    Develop the clothing and chair, paying attention to the folds and shadows.

  7. step 07

    Refine the highlights and shadows throughout the painting, adding depth and realism.

  8. step 08

    Add final details, such as the glasses and any subtle color variations.

color palette

primary · burnt umber · ivory black · yellow ochre · titanium white

secondary · cadmium red · ultramarine blue · raw sienna

Achieve skin tones by mixing yellow ochre, burnt umber, and titanium white, with small amounts of cadmium red for warmth. Darken colors with ivory black and lighten with titanium white. Use ultramarine blue and burnt umber for the darks in the clothing and background.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Using colors that are too saturated.
  • →Failing to create a sense of depth and atmosphere.
  • →Not capturing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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