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home·artworks·Portrait of Adriaen Corver and His Wife Rijckje Theulingh
Portrait of Adriaen Corver and His Wife Rijckje Theulingh by Michiel van Musscher

plate no. 3258

Portrait of Adriaen Corver and His Wife Rijckje Theulingh

Michiel van Musscher, 1666

oilBaroqueportraitfiguresportraitinteriortableclothingchairs
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and clothing folds. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, paying attention to proportions and placement of figures.

  2. step 02

    Block in the main areas of color: background, clothing, table, and skin tones.

  3. step 03

    Start refining the skin tones, using subtle layers of color to create highlights and shadows.

  4. step 04

    Develop the details of the clothing, focusing on the folds and textures.

  5. step 05

    Work on the background and other elements, adding details and adjusting values as needed.

  6. step 06

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  7. step 07

    Add final highlights and details to create a sense of realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and create depth.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light · viridian

Mix various shades of gray and brown by combining ivory black, raw umber, and titanium white. Use yellow ochre and burnt sienna for skin tones, and add small amounts of cadmium red light for warmth. Create the green of the table cloth by mixing viridian with yellow ochre and white.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to create a sense of depth and atmosphere.
  • →Ignoring the subtle value changes that create form.
  • →Not capturing the likeness of the subjects.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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