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home·artworks·Portrait of a Youth
Portrait of a Youth by Mary Beale

plate no. 6422

Portrait of a Youth

Mary Beale, 1680

oilBaroqueportraitportraitfigurehairclothingovalyouth
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and creating the illusion of depth through subtle value changes. It also provides practice in capturing the texture of hair and fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval frame and the basic proportions of the figure.

  2. step 02

    Block in the background with dark brown tones, establishing the overall value range.

  3. step 03

    Establish the main shapes of the clothing with a mid-tone brown.

  4. step 04

    Begin layering in the skin tones, starting with a base of light ochre and white, then adding subtle variations for shadows and highlights.

  5. step 05

    Develop the hair, using a combination of light and dark browns to create texture and volume.

  6. step 06

    Refine the features of the face, paying close attention to the eyes, nose, and mouth.

  7. step 07

    Add details to the clothing, such as folds and highlights, to create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the overall realism of the portrait.

color palette

primary · burnt umber · raw umber · titanium white · yellow ochre

secondary · cadmium red light · ivory black

Mix skin tones using white, yellow ochre, and a touch of red. Vary the proportions to create highlights and shadows. Use burnt umber and ivory black for the darkest areas of the background and clothing.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones, resulting in a flat or unnatural appearance.
  • →Failing to capture the correct proportions of the face.
  • →Using too much contrast, which can make the portrait look harsh.
  • →Neglecting the subtle variations in color and value that create depth and realism.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Burnt umber oil paint
  • ·Raw umber oil paint
  • ·Titanium white oil paint
  • ·Yellow ochre oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Palette
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Medium gloss
  • ·Cadmium Red Light

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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