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home·artworks·Portrait of a Young Woman (Incipient Maternity)
Portrait of a Young Woman (Incipient Maternity) by Pellizza da Volpedo

plate no. 3387

Portrait of a Young Woman (Incipient Maternity)

Pellizza da Volpedo, 1891

oil, canvasRealismportraitportraitfigurewomanclothinghandsslate
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding color relationships and creating depth through layering.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and slate on the canvas.

  2. step 02

    Establish the background color with a thin wash of diluted paint.

  3. step 03

    Block in the main areas of color: skin tones, clothing, and the slate.

  4. step 04

    Begin layering and blending colors to create depth and form in the face and hands.

  5. step 05

    Add details to the clothing, paying attention to the patterns and folds.

  6. step 06

    Refine the slate, adding highlights and shadows to give it a three-dimensional appearance.

  7. step 07

    Adjust the overall color balance and value contrast to match the original painting.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · burnt umber · ultramarine blue · cadmium red

secondary · yellow ochre · viridian green

Mix skin tones using white, umber, and a touch of red. Create the background by mixing blue with white and a hint of green. Achieve the clothing colors by mixing umber, green, and white in varying proportions.

techniques

  • ·portraiture
  • ·layering
  • ·blending
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Over-blending the colors, resulting in a muddy appearance.
  • →Failing to capture the subtle variations in skin tone.
  • →Ignoring the importance of value contrast in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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