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home·artworks·Portrait of a young woman
Portrait of a young woman by Jan de Bray

plate no. 0662

Portrait of a young woman

Jan de Bray, 1667

oilBaroqueportraitportraitwomanclothingjewelrytablehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to create the illusion of fabric and drapery.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hands.

  2. step 02

    Establish the background with a dark, muted tone, gradually blending it to create depth.

  3. step 03

    Block in the main colors of the clothing, hair, and skin, paying attention to the overall color harmony.

  4. step 04

    Begin to refine the facial features, focusing on accurate placement and subtle variations in tone.

  5. step 05

    Add highlights and shadows to the clothing and drapery to create a sense of volume and texture.

  6. step 06

    Paint the details of the jewelry and hair accessories, using small brushes for precision.

  7. step 07

    Refine the hands, paying attention to the subtle curves and contours.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · ivory black · ultramarine blue · titanium white

secondary · cadmium red light · yellow ochre

Mix ivory black and ultramarine blue with white to create the various shades of blue in the dress. Use yellow ochre and cadmium red light to create the skin tones, adjusting the proportions to achieve the desired warmth.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overly harsh or unnatural skin tones.
  • →Lack of depth and dimension in the clothing.
  • →Overworking the details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (ivory black, ultramarine blue, titanium white, cadmium red light, yellow ochre)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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