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home·artworks·Portrait of a Young Philippe D'Orléans, Duke of Chartres, Regent of France
Portrait of a Young Philippe D'Orléans, Duke of Chartres, Regent of France by Hyacinthe Rigaud

plate no. 6785

Portrait of a Young Philippe D'Orléans, Duke of Chartres, Regent of France

Hyacinthe Rigaud, 1689

oilBaroqueportraitfigureportraitarmordraperycolumnsky
experienced study

Recreating this painting will help students develop skills in portraiture, including rendering realistic skin tones and capturing likeness, as well as practicing techniques for depicting textures like fabric and metal.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to proportions and placement of the figure.

  2. step 02

    Establish the background with broad strokes, focusing on the sky and drapery.

  3. step 03

    Block in the main shapes of the figure, including the armor, clothing, and hair.

  4. step 04

    Begin refining the facial features, paying close attention to light and shadow.

  5. step 05

    Develop the details of the armor, using highlights and shadows to create a sense of depth and realism.

  6. step 06

    Add details to the clothing, including the folds and textures of the fabric.

  7. step 07

    Refine the hair, using small brushstrokes to create a sense of volume and movement.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · titanium white · cadmium red · ultramarine blue

secondary · yellow ochre · burnt umber · raw sienna

Mix various shades of gray by combining ivory black and titanium white. Achieve skin tones by blending cadmium red, yellow ochre, and titanium white. Use ultramarine blue mixed with white for the blue sash.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·rendering metal
  • ·fabric depiction

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overly harsh or muddy skin tones.
  • →Lack of attention to detail in the armor and clothing.
  • →Flat or lifeless rendering of the hair.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, titanium white, cadmium red, ultramarine blue, yellow ochre, burnt umber, raw sienna)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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