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home·artworks·Portrait of a Young Man Standing
Portrait of a Young Man Standing by Pieter Codde

plate no. 3811

Portrait of a Young Man Standing

Pieter Codde, 1625

oilBaroqueportraitfigureportraitclothingtablecurtainfloor
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic clothing folds and textures. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on proportions and placement of the figure and key elements.

  2. step 02

    Establish the background with a thin wash of muted gray-brown tones.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall value structure.

  4. step 04

    Begin refining the facial features, focusing on accurate proportions and subtle value changes.

  5. step 05

    Develop the clothing, rendering the folds and textures with careful observation of light and shadow.

  6. step 06

    Add details to the table, curtain, and floor, maintaining a consistent level of detail throughout the painting.

  7. step 07

    Refine the edges and transitions between shapes, softening or hardening them as needed to create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and visual impact.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · cadmium red light · ivory black · yellow ochre

Achieve the muted tones by mixing raw umber and titanium white with small amounts of burnt sienna and ivory black. Use yellow ochre to warm up the skin tones and the fabric highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Failing to create a convincing sense of depth and atmosphere.
  • →Ignoring the subtle value changes that create form.
  • →Using colors that are too saturated or bright.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (raw umber, titanium white, burnt sienna, ivory black, yellow ochre, cadmium red light)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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