apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Young Man (Self-Portrait)
Portrait of a Young Man (Self-Portrait) by Gian Lorenzo Bernini

plate no. 0203

Portrait of a Young Man (Self-Portrait)

Gian Lorenzo Bernini, 1615

chalkBaroqueself-portraitportraitfiguremanself-portraitheadshoulders
some experience helpful

Recreating this drawing will help students understand value relationships and how to build form using hatching and cross-hatching techniques. It also provides practice in capturing likeness and proportions in portraiture.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
5

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and features.

  2. step 02

    Establish the darkest areas of the drawing, such as the hair and shadows under the chin and around the eyes.

  3. step 03

    Begin building up mid-tones using hatching and cross-hatching, following the contours of the face and clothing.

  4. step 04

    Gradually add lighter values by reducing pressure on the chalk and leaving more white space.

  5. step 05

    Refine the details of the eyes, nose, and mouth, paying attention to subtle shifts in value.

  6. step 06

    Soften edges and blend values where necessary using a blending stump or your finger.

  7. step 07

    Add final highlights to the cheekbones, nose, and forehead to create a sense of depth.

  8. step 08

    Check proportions and values against the reference image and make any necessary adjustments.

color palette

primary · black · white

secondary · gray

Varying pressure and layering of black chalk on white paper creates different shades of gray.

techniques

  • ·hatching
  • ·cross-hatching
  • ·blending
  • ·value gradation
  • ·contour drawing

common pitfalls

  • →Applying too much pressure too early, making it difficult to correct mistakes.
  • →Failing to observe subtle value changes, resulting in a flat or unrealistic drawing.
  • →Over-blending, which can muddy the values and lose detail.
  • →Ignoring the underlying structure of the face, leading to inaccurate proportions.

materials

surface · smooth drawing paper

required

  • ·white drawing paper
  • ·black chalk
  • ·kneaded eraser
  • ·blending stump
  • ·fixative spray
  • ·ruler

optional

  • ·charcoal pencils
  • ·white chalk

Use a paper with a slight tooth to allow the chalk to adhere well. Soft vine charcoal can be used for initial sketching.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to draw →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne