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home·artworks·Portrait of a young man
Portrait of a young man by Ludvig Kabell

plate no. 1465

Portrait of a young man

Ludvig Kabell

oil, panelRealismportraitportraitfiguremanclothinghairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in creating depth and form using subtle value changes and visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the general tones of the face and clothing.

  3. step 03

    Mix skin tones using a limited palette and apply them to the face, paying attention to highlights and shadows.

  4. step 04

    Define the features of the face, such as the eyes, nose, and mouth, with careful attention to detail.

  5. step 05

    Paint the hair, using short, broken brushstrokes to create texture and volume.

  6. step 06

    Add details to the clothing, such as the collar, tie, and jacket, using appropriate colors and values.

  7. step 07

    Refine the painting by adjusting values, adding highlights, and softening edges as needed.

  8. step 08

    Add final details and highlights to complete the portrait.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · ultramarine blue · yellow ochre

Mix skin tones by combining white, red, and umber, adjusting the proportions to achieve the desired hue and value. Use ultramarine blue and white for the tie, adding touches of red and yellow for variation.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·broken color
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Over-blending the skin tones, resulting in a flat, lifeless appearance.
  • →Ignoring the subtle value changes that create form and depth.
  • →Using colors that are too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-tooth canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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oil painting for beginners →how to learn by studying the masters →
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