apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Young Man
Portrait of a Young Man by Gian Lorenzo Bernini

plate no. 1624

Portrait of a Young Man

Gian Lorenzo Bernini, 1630

chalkBaroqueportraitportraitfigurehairfaceclothing
some experience helpful

This drawing is a great exercise in understanding value and form using hatching and cross-hatching techniques. Recreating it will help students develop control over their mark-making and build confidence in portraiture.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, hair, and shoulders.

  2. step 02

    Establish the overall proportions and placement of facial features.

  3. step 03

    Begin adding initial layers of hatching to define the darker areas of the hair and clothing.

  4. step 04

    Build up the values gradually, using cross-hatching to create deeper shadows.

  5. step 05

    Refine the facial features, paying close attention to the subtle variations in value.

  6. step 06

    Add details to the hair, using short, curved strokes to suggest texture.

  7. step 07

    Soften edges and blend values where necessary to create a sense of realism.

  8. step 08

    Add final highlights to the face and hair to create contrast.

color palette

primary · charcoal gray · white

secondary · light gray

Vary the pressure and density of charcoal application to achieve different shades of gray.

techniques

  • ·hatching
  • ·cross-hatching
  • ·blending
  • ·value shading
  • ·portrait drawing

common pitfalls

  • →Applying too much pressure too early, making it difficult to correct mistakes.
  • →Failing to establish a full range of values, resulting in a flat or muddy drawing.
  • →Ignoring the subtle variations in value within the facial features.
  • →Overworking the drawing, resulting in a loss of spontaneity.

materials

surface · smooth drawing paper

required

  • ·charcoal pencils (soft, medium, hard)
  • ·kneaded eraser
  • ·drawing paper (smooth or slightly textured)
  • ·blending stump
  • ·fixative spray
  • ·pencil sharpener

optional

  • ·tortillon
  • ·ruler
  • ·drawing board

Use a variety of charcoal pencils to achieve a full range of values. A kneaded eraser is essential for lifting charcoal and creating highlights.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to draw →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne