
plate no. 1208
Gerard Terborch, 1670
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding subtle value shifts in dark color palettes.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on proportions and placement of the figure.
Establish the background with a dark, muted tone, gradually building up layers.
Block in the main shapes of the figure, including the clothing and collar.
Begin to refine the facial features, paying close attention to light and shadow.
Develop the hair, using small brushstrokes to create texture and volume.
Add details to the hands and accessories, such as the hat and gloves.
Refine the overall painting, adjusting values and adding subtle highlights.
Add final details and glazes to enhance depth and realism.
color palette
primary · ivory black · titanium white · raw umber
secondary · burnt umber · yellow ochre · cadmium red light
Achieve the dark tones by mixing ivory black and raw umber. Use small amounts of yellow ochre and cadmium red light to warm up the skin tones and add subtle variations.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.
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