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home·artworks·Portrait of a young lady, said to be Comtesse de Ribaucourt
Portrait of a young lady, said to be Comtesse de Ribaucourt by Cornelis de Vos

plate no. 6030

Portrait of a young lady, said to be Comtesse de Ribaucourt

Cornelis de Vos

oilBaroqueportraitportraitfiguredressjewelryruffchair
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as rendering complex textures like fabric and jewelry. It also provides practice in creating depth and form through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the basic shapes and proportions of the figure and composition.

  2. step 02

    Establish the background with a thin layer of dark, muted colors.

  3. step 03

    Block in the main areas of color for the skin, dress, and ruff, focusing on the overall value structure.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow patterns.

  5. step 05

    Develop the details of the dress, including the folds, textures, and embellishments.

  6. step 06

    Add the jewelry and other accessories, carefully rendering their reflective surfaces.

  7. step 07

    Refine the background and add any final details, such as the flowers and chair.

  8. step 08

    Glaze to unify the painting and adjust values as needed.

color palette

primary · ivory black · raw umber · titanium white · cadmium red

secondary · yellow ochre · burnt sienna · ultramarine blue

Mix various shades of gray and black by combining ivory black, raw umber, and small amounts of ultramarine blue. Use yellow ochre and burnt sienna to create warm skin tones, and add cadmium red for highlights on the lips and cheeks.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overworking the details before establishing the overall value structure.
  • →Creating skin tones that are too flat or lifeless.
  • →Failing to capture the subtle nuances of light and shadow.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, raw umber, titanium white, cadmium red, yellow ochre, burnt sienna, ultramarine blue)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·painting easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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