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home·artworks·Portrait of a young Lady
Portrait of a young Lady by Charles Hermans

plate no. 8267

Portrait of a young Lady

Charles Hermans

oilRealismportraitportraitwomanshawlflowerhairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in creating soft edges and expressive brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and shawl.

  2. step 02

    Establish the overall value structure by blocking in the background and major shadow areas with thin washes.

  3. step 03

    Begin refining the facial features, paying close attention to the angles and shapes of the eyes, nose, and mouth.

  4. step 04

    Develop the form of the face and shawl by layering subtle value changes and blending edges.

  5. step 05

    Add details to the hair and flower, using small, expressive brushstrokes.

  6. step 06

    Refine the edges of the shawl and background to create a sense of depth.

  7. step 07

    Add highlights to the face and shawl to create a sense of luminosity.

  8. step 08

    Make final adjustments to the values and colors to achieve a harmonious and unified composition.

color palette

primary · ivory black · raw umber · titanium white · burnt sienna

secondary · cadmium red light · ultramarine blue · yellow ochre

Mix various shades of brown and gray by combining raw umber, ivory black, and titanium white. Use small amounts of cadmium red and ultramarine blue to create subtle color variations in the shadows and highlights.

techniques

  • ·portrait drawing
  • ·value studies
  • ·layering
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall sense of form.
  • →Creating harsh edges that detract from the softness of the portrait.
  • →Failing to capture the likeness of the subject.
  • →Using colors that are too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints (ivory black, raw umber, titanium white, burnt sienna, cadmium red light, ultramarine blue, yellow ochre)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Palette knife

optional

  • ·medium gloss
  • ·varnish

Use high-quality oil paints for best results. Experiment with different brush sizes and shapes to achieve a variety of textures.

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oil painting for beginners →how to learn by studying the masters →
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