apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Young Girl Standing near a Fountain
Portrait of a Young Girl Standing near a Fountain by Nicolaes Maes

plate no. 5868

Portrait of a Young Girl Standing near a Fountain

Nicolaes Maes, 1664

oilBaroqueportraitportraitfiguredressfountainlandscapepearls
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practice techniques for depicting fabric and reflective surfaces.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure and fountain.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the background, including the landscape and architectural elements.

  4. step 04

    Refine the figure's features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Add details to the dress and jewelry, capturing the textures and highlights.

  6. step 06

    Render the fountain and water, using subtle variations in color and value.

  7. step 07

    Glaze and scumble to create depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · ivory black · cadmium red · yellow ochre

secondary · ultramarine blue · raw umber · burnt sienna

Mix various shades of white and black to create the subtle gradations in the dress. Use red and yellow ochre to achieve the skin tones, and add small amounts of blue for shadows. Mix raw umber and burnt sienna for the fountain.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to capture the subtle variations in color and value.
  • →Creating muddy or dull colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne