apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a young girl
Portrait of a young girl by Nikolai Kuznetsov

plate no. 7350

Portrait of a young girl

Nikolai Kuznetsov, 1891

oilRealismportraitportraitfiguregirlclothinghairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and subtle variations in skin tones. It also provides practice in rendering fabric and hair with loose brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the girl on the canvas.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main areas of color: skin, hair, clothing, and background.

  4. step 04

    Begin layering and blending colors to create smooth transitions in the skin tones.

  5. step 05

    Add highlights and shadows to define the form of the face and clothing.

  6. step 06

    Refine the details of the eyes, nose, and mouth.

  7. step 07

    Use loose brushstrokes to suggest the texture of the hair and clothing.

  8. step 08

    Add final touches and adjust values as needed.

color palette

primary · titanium white · burnt umber · cadmium red light · yellow ochre

secondary · ultramarine blue · ivory black

Mix skin tones using titanium white, yellow ochre, cadmium red light, and a touch of burnt umber. Use ultramarine blue and burnt umber to create the dark tones of the clothing.

techniques

  • ·portraiture
  • ·alla prima
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to accurately capture the proportions of the face.
  • →Creating muddy or dull skin tones.
  • →Ignoring the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy