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home·artworks·Portrait of a Young Girl
Portrait of a Young Girl by Marie Bashkirtseff

plate no. 3687

Portrait of a Young Girl

Marie Bashkirtseff, 1882

oilRealismportraitportraitfiguregirlheadscarfclothingjewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering subtle skin tones. It also offers practice in depicting fabric and creating a sense of depth with limited color variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and headscarf.

  2. step 02

    Establish the background color with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the main areas of light and shadow on the face, using a mix of white, ochre, and a touch of red.

  4. step 04

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Paint the headscarf, using darker values to create folds and shadows.

  6. step 06

    Add details to the clothing, using short, broken brushstrokes to suggest texture.

  7. step 07

    Glaze the skin tones with thin washes of color to create depth and luminosity.

  8. step 08

    Add final highlights and shadows to complete the painting.

color palette

primary · titanium white · burnt umber · raw sienna

secondary · cadmium red light · ivory black

Achieve skin tones by mixing white, ochre, and a touch of red. Use burnt umber and black for shadows. Create variations in the headscarf by adding small amounts of red or blue to the black.

techniques

  • ·portraiture
  • ·scumbling
  • ·glazing
  • ·alla prima
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in color and value.
  • →Creating harsh lines instead of soft transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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