
plate no. 3687
Marie Bashkirtseff, 1882
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering subtle skin tones. It also offers practice in depicting fabric and creating a sense of depth with limited color variations.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the head, shoulders, and headscarf.
Establish the background color with a thin wash of burnt umber and raw sienna.
Block in the main areas of light and shadow on the face, using a mix of white, ochre, and a touch of red.
Refine the facial features, paying close attention to the eyes, nose, and mouth.
Paint the headscarf, using darker values to create folds and shadows.
Add details to the clothing, using short, broken brushstrokes to suggest texture.
Glaze the skin tones with thin washes of color to create depth and luminosity.
Add final highlights and shadows to complete the painting.
color palette
primary · titanium white · burnt umber · raw sienna
secondary · cadmium red light · ivory black
Achieve skin tones by mixing white, ochre, and a touch of red. Use burnt umber and black for shadows. Create variations in the headscarf by adding small amounts of red or blue to the black.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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