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home·artworks·Portrait of a Young Girl Bust Length in An Embroidered Green Dress White Lace Ruff
Portrait of a Young Girl Bust Length in An Embroidered Green Dress White Lace Ruff by Cornelis de Vos

plate no. 0453

Portrait of a Young Girl Bust Length in An Embroidered Green Dress White Lace Ruff

Cornelis de Vos

oilBaroqueportraitportraitchildlaceruffclothingfeathers
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate skin tone mixing and rendering fine details like lace. It also provides practice in capturing subtle light and shadow to create form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the head, collar, and clothing, paying attention to proportions.

  2. step 02

    Establish the background with a dark, muted tone.

  3. step 03

    Block in the main areas of color for the skin, clothing, and lace.

  4. step 04

    Begin layering and blending skin tones, focusing on highlights and shadows.

  5. step 05

    Develop the details of the lace collar and headdress, using small brushes and light colors.

  6. step 06

    Add details to the clothing, including patterns and textures.

  7. step 07

    Refine the facial features, paying attention to the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · raw umber · cadmium red light · yellow ochre

secondary · ultramarine blue · ivory black · sap green

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. The lace is created with white mixed with small amounts of blue and umber. Greens are muted with umber and red.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering lace

common pitfalls

  • →Overworking the skin tones and losing the subtle variations.
  • →Making the lace too bright and losing the delicate details.
  • →Failing to capture the likeness of the subject.
  • →Getting the proportions wrong in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, raw umber, cadmium red light, yellow ochre, ultramarine blue, ivory black, sap green)
  • ·assorted brushes (small round, filbert, and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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