apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a young girl as a Shepherdess holding a Sprig of Flowers
Portrait of a young girl as a Shepherdess holding a Sprig of Flowers by Aelbert Cuyp

plate no. 8582

Portrait of a young girl as a Shepherdess holding a Sprig of Flowers

Aelbert Cuyp

oilBaroqueportraitfigureportraitflowersstaffclothingjewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as rendering realistic fabric and floral details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of the staff and flowers.

  2. step 02

    Block in the background with a dark, neutral tone.

  3. step 03

    Establish the main values of the face, hair, and clothing using thin washes of color.

  4. step 04

    Begin layering colors to build up the skin tones, paying attention to highlights and shadows.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Paint the clothing, focusing on the folds and drapery.

  7. step 07

    Add the details of the staff and flowers, paying attention to their textures and colors.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · alizarin crimson · yellow ochre · raw umber

secondary · ultramarine blue · cadmium yellow light · ivory black

Mix skin tones by blending white, yellow ochre, alizarin crimson, and a touch of raw umber. Achieve the pink of the dress by mixing white and alizarin crimson. Use ultramarine blue and white for the cooler tones in the shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the figure
  • →Overblending skin tones, resulting in a flat appearance
  • →Ignoring subtle color variations in the face and clothing
  • →Failing to capture the texture of the staff and flowers

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne