apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a young beauty
Portrait of a young beauty by Luigi Da Rios

plate no. 7328

Portrait of a young beauty

Luigi Da Rios, 1890

oil, boardRealismportraitportraitfigurewomanclothinghairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating realistic skin tones. It also provides practice in rendering fabric and hair with loose brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure on the canvas.

  2. step 02

    Block in the main areas of color: skin, hair, clothing, and background.

  3. step 03

    Start refining the skin tones, paying attention to subtle variations in color and value.

  4. step 04

    Develop the features of the face, focusing on accurate placement and proportions.

  5. step 05

    Add details to the hair, using short, broken brushstrokes to create texture.

  6. step 06

    Paint the clothing, using darker values to create shadows and lighter values to create highlights.

  7. step 07

    Refine the background, using loose brushstrokes to create a sense of depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · burnt umber · cadmium red · yellow ochre

secondary · ivory black · ultramarine blue

Mix skin tones using titanium white, yellow ochre, burnt umber, and a touch of cadmium red. Achieve the red of the shirt by mixing cadmium red with a touch of burnt umber for shadow and titanium white for highlights.

techniques

  • ·portraiture
  • ·alla prima
  • ·color mixing
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Over-blending the skin tones.
  • →Using too much detail in the background.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy