plate no. 5271

Portrait of a woman

Vito D'Ancona

oil, cardboardRealismportraitportraitwomanhairfaceclothingearring

study guide

est. 15 hrs

approach — 8 steps

step 01
Create a light sketch of the oval composition and the main features of the face and hair.
step 02
Block in the background with a thin layer of yellow ochre, varying the tone slightly.
step 03
Establish the basic skin tones using a mix of white, yellow ochre, and a touch of red.
step 04
Begin to define the shadows and highlights on the face, paying close attention to the planes of the face.
step 05
Work on the hair, using dark browns and blacks, and adding highlights with lighter browns and yellows.
step 06
Paint the clothing with a mix of purples and browns, creating soft folds and shadows.
step 07
Add details such as the earring and the subtle highlights in the eyes.
step 08
Refine the painting, adjusting values and colors as needed to create a cohesive and realistic portrait.

color palette

primary · yellow ochre · titanium white · burnt umber · cadmium red

secondary · ultramarine blue · ivory black

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Shadows are created by adding burnt umber and a touch of blue. The hair is a mix of burnt umber and black, with highlights of yellow ochre and white.

techniques

·portrait sketching
·color mixing for skin tones
·blending
·layering
·glazing

common pitfalls

→Inaccurate proportions
→Overly harsh shadows
→Flat skin tones
→Neglecting subtle color variations

materials

surface · stretched canvas

required

·stretched canvas (oval)
·oil paints (yellow ochre, titanium white, burnt umber, cadmium red, ultramarine blue, ivory black)
·palette
·linseed oil
·turpentine
·assorted brushes (round and flat)
·palette knife
·rags

optional

·medium gloss
·retouch varnish

A smooth canvas surface is recommended for achieving the soft blending in this painting. Use a medium such as linseed oil to thin the paints and facilitate blending.

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