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home·artworks·Portrait of a Woman
Portrait of a Woman by Judith Leyster

plate no. 2152

Portrait of a Woman

Judith Leyster, 1635

oilBaroqueportraitportraitwomancollarclothingfacehands
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations to create form. It also offers practice in rendering textures like fabric and skin.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure, focusing on the head, collar, and hands.

  2. step 02

    Block in the background with a thin wash of neutral color, establishing the overall tone.

  3. step 03

    Begin layering the dark clothing, paying attention to the subtle variations in value to create depth and form.

  4. step 04

    Carefully paint the white collar, observing the highlights and shadows that define its shape and texture.

  5. step 05

    Start building up the skin tones on the face and hands, using thin layers of paint and blending carefully.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, paying close attention to their placement and proportions.

  7. step 07

    Refine the details in the clothing and collar, adding highlights and shadows to enhance the texture and form.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced and harmonious.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · cadmium red light · burnt sienna

Mix subtle skin tones by blending white, yellow ochre, and a touch of red. Use thin glazes of raw umber and black to create shadows and depth in the clothing.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·value studies

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overly harsh or flat skin tones.
  • →Losing the form of the clothing in the dark shadows.
  • →Failing to capture the subtle details in the collar.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·burnt sienna oil paint

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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