apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a woman
Portrait of a woman by Ivan Tvorozhnikov

plate no. 5937

Portrait of a woman

Ivan Tvorozhnikov

oil, canvasRealismportraitportraitwomanfacehairclothingfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It will also provide practice in layering and blending oil paints to create subtle gradations of color and value.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and facial features.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main areas of color, such as the skin tones, hair, clothing, and background.

  4. step 04

    Begin layering and blending colors to refine the forms and create smooth transitions.

  5. step 05

    Pay close attention to the subtle variations in skin tone, especially around the eyes, nose, and mouth.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details of the facial features, such as the eyes, nose, and mouth.

  8. step 08

    Add final touches and adjustments to complete the painting.

color palette

primary · titanium white · burnt umber · yellow ochre · ultramarine blue

secondary · cadmium red · ivory black

Skin tones are achieved by mixing titanium white, yellow ochre, burnt umber, and a touch of cadmium red. Use ultramarine blue and burnt umber to create cooler shadows.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing
  • ·color mixing

common pitfalls

  • →Overworking the paint and creating a muddy effect.
  • →Failing to capture the correct proportions and likeness.
  • →Ignoring the subtle variations in skin tone.
  • →Using too much or too little medium.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (titanium white, burnt umber, yellow ochre, ultramarine blue, cadmium red, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy