apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Woman
Portrait of a Woman by David Bailly

plate no. 7119

Portrait of a Woman

David Bailly, 1650

oilBaroqueportraitportraitwomanclothingjewelryhandslace
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practicing detailed rendering of fabrics and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and hands.

  2. step 02

    Establish the background with a dark, muted tone, gradually building up layers to create depth.

  3. step 03

    Block in the main areas of color for the skin, clothing, and lace collar, using a limited palette.

  4. step 04

    Refine the skin tones by layering and blending different shades of flesh tones, paying attention to highlights and shadows.

  5. step 05

    Add details to the clothing, such as the folds and wrinkles in the fabric, using subtle variations in value and color.

  6. step 06

    Carefully render the lace collar, using fine brushstrokes to create the intricate patterns and textures.

  7. step 07

    Paint the jewelry and accessories, such as the earrings and bracelets, paying attention to their reflective surfaces.

  8. step 08

    Add final details and adjustments to the painting, such as refining the edges and adding subtle highlights.

color palette

primary · ivory black · titanium white · yellow ochre · burnt umber

secondary · cadmium red light · raw sienna

Mix various shades of skin tones using titanium white, yellow ochre, burnt umber, and a touch of cadmium red light. Achieve the dark tones of the clothing by mixing ivory black and burnt umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering lace

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations in color.
  • →Failing to capture the intricate details of the lace collar.
  • →Creating too much contrast and losing the overall harmony of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 0-4)
  • ·flat brushes (sizes 2-6)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve their flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne