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home·artworks·Portrait of a Woman
Portrait of a Woman by Alexei Korzukhin

plate no. 5373

Portrait of a Woman

Alexei Korzukhin, 1875

oilRealismportraitportraitwomanclothinghairfacefigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations. It also provides practice in rendering soft textures and achieving a realistic likeness.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head and shoulders using light pencil lines.

  2. step 02

    Establish the background color with a thin, even wash of muted green-brown.

  3. step 03

    Block in the main areas of value on the face, hair, and clothing, focusing on the overall light and shadow patterns.

  4. step 04

    Begin refining the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Develop the hair with layers of dark brown and highlights, following the direction of the strands.

  6. step 06

    Add details to the clothing, including the collar, bow, and fur trim, using small brushstrokes to create texture.

  7. step 07

    Refine the skin tones with subtle glazes and highlights, blending carefully to create a smooth transition.

  8. step 08

    Add final details and highlights to the eyes, hair, and clothing to bring the portrait to life.

color palette

primary · titanium white · burnt umber · yellow ochre

secondary · alizarin crimson · viridian green

Achieve skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Use burnt umber and white for the hair, adding small amounts of yellow ochre for highlights. The background is a mix of burnt umber, viridian green, and white.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·value studies
  • ·rendering

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overly harsh or unnatural skin tones.
  • →Lack of attention to detail in the facial features.
  • →Insufficient blending of colors, resulting in a choppy or uneven appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (titanium white, burnt umber, yellow ochre, alizarin crimson, viridian green)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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oil painting for beginners →how to learn by studying the masters →
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