apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Seated Woman
Portrait of a Seated Woman by Richard Caton Woodville Sr.

plate no. 5290

Portrait of a Seated Woman

Richard Caton Woodville Sr., 1853

oil, canvasRealismportraitportraitwomanfigureclothinghairseated
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in creating realistic textures and details with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and torso.

  2. step 02

    Establish the background tone with a thin wash of neutral color.

  3. step 03

    Block in the main areas of color for the skin, hair, clothing, and background.

  4. step 04

    Begin refining the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  5. step 05

    Develop the values and tones in the clothing, creating depth and form with subtle shading.

  6. step 06

    Add details to the hair, using small brushstrokes to create texture and volume.

  7. step 07

    Refine the background, adding subtle variations in color and tone.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · ivory black · yellow ochre · cadmium red light

Mix various shades of brown and gray by combining raw umber, burnt sienna, and ivory black with titanium white. Use yellow ochre and cadmium red light sparingly to add warmth to the skin tones.

techniques

  • ·underpainting
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or intense.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use a medium-grit canvas for best results. Consider toning the canvas with a thin wash of raw umber before beginning the painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy