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home·artworks·Portrait of a Scholar
Portrait of a Scholar by Adriaen van Ostade

plate no. 5317

Portrait of a Scholar

Adriaen van Ostade, 1665

oil, canvasBaroqueportraitportraitfigurebooksinteriorcurtainscholar
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating depth and atmosphere using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figure and background.

  2. step 02

    Block in the main areas of color, focusing on the overall values and shapes.

  3. step 03

    Develop the background, starting with the bookshelf and then the curtain, using thin layers of paint.

  4. step 04

    Work on the figure, starting with the face and then moving to the clothing and hands.

  5. step 05

    Pay close attention to the light and shadow on the face to create a sense of depth and form.

  6. step 06

    Add details to the books, chair, and carpet, using small brushes and careful strokes.

  7. step 07

    Refine the edges and blend the colors to create a smooth, realistic finish.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red light · yellow ochre · viridian

Mix ivory black and raw umber for the dark areas of the clothing and background. Use burnt sienna and yellow ochre for the skin tones, adding white to lighten. Mix viridian with raw umber to create the green for the curtain.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·alla prima

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the overall sense of form.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color scheme.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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