
plate no. 3575
Mary Beale, 1680
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds. It also provides practice in creating subtle skin tones and depicting hair texture.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on proportions and placement of the figure.
Establish the background with a dark, muted tone.
Block in the main shapes of the figure, including the face, hair, and clothing, using a limited palette of browns and whites.
Begin layering and blending colors to create the skin tones, paying attention to highlights and shadows.
Develop the details of the hair, using small brushstrokes to create texture and volume.
Render the folds and drapery of the clothing, using light and shadow to create depth.
Paint the drawing held by the figure, simplifying the details.
Add final highlights and details to the face and clothing to complete the portrait.
color palette
primary · burnt umber · raw umber · titanium white · ivory black
secondary · yellow ochre · cadmium red light
Mix browns with white to create lighter tones for the skin and clothing. Use small amounts of red and yellow to warm the skin tones. Darken the browns with black for shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne