apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Mistress Agrippina Leontyevna Apraksina
Portrait of a Mistress Agrippina Leontyevna Apraksina by Aleksey Antropov

plate no. 3796

Portrait of a Mistress Agrippina Leontyevna Apraksina

Aleksey Antropov

oilBaroqueportraitportraitfigureclothingjewelryhistorical figure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to depict fabric and jewelry.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and chest.

  2. step 02

    Establish the background with a dark, muted tone.

  3. step 03

    Block in the main areas of color for the skin, clothing, and hair.

  4. step 04

    Begin refining the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Develop the details of the clothing, including the folds, textures, and embellishments.

  6. step 06

    Add the jewelry and other accessories, focusing on their intricate details.

  7. step 07

    Refine the lighting and shadows to create depth and dimension.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · yellow ochre · burnt sienna · titanium white

secondary · Prussian blue · alizarin crimson · gold

Mix skin tones by blending yellow ochre, burnt sienna, and titanium white, adjusting the ratios to achieve the desired warmth and value. Use ivory black to darken colors and create shadows.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the facial features.
  • →Overly harsh or muddy skin tones.
  • →Lack of attention to detail in the clothing and jewelry.
  • →Insufficient contrast between light and shadow.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints (ivory black, yellow ochre, burnt sienna, titanium white, Prussian blue, alizarin crimson)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas can help establish the dark background more easily.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne