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home·artworks·Portrait of a medalist, half-length
Portrait of a medalist, half-length by Sébastien Bourdon

plate no. 4389

Portrait of a medalist, half-length

Sébastien Bourdon, 1668

oil, canvasBaroqueportraitportraitfiguremanhairpalettemusical instrument
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding subtle value shifts to create form and depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background, gradually building up layers of color and value.

  4. step 04

    Focus on the face, paying close attention to the light and shadow patterns to create a realistic likeness.

  5. step 05

    Refine the details of the clothing, hair, and hands, using smaller brushes and more precise strokes.

  6. step 06

    Paint the palette and other objects, focusing on their textures and forms.

  7. step 07

    Add highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · burnt umber · raw umber · ivory black · titanium white

secondary · yellow ochre · cadmium red light

Achieve the skin tones by mixing white with small amounts of burnt umber, yellow ochre, and cadmium red. Use raw umber and ivory black for the darker areas and shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to capture the likeness of the subject.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (burnt umber, raw umber, ivory black, titanium white, yellow ochre, cadmium red light)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium (e.g. Liquin)

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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