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home·artworks·Portrait of a Man with a Goatee
Portrait of a Man with a Goatee by Diego Velázquez

plate no. 9058

Portrait of a Man with a Goatee

Diego Velázquez, 1622

oil, canvasBaroqueportraitportraitmangoateeruffdark backgroundfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding chiaroscuro and creating depth through value changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the subject's head and shoulders, paying attention to proportions.

  2. step 02

    Block in the main shapes of the face, hair, and ruff with thin washes of color.

  3. step 03

    Establish the darkest values in the background and shadows on the face.

  4. step 04

    Begin layering and blending colors to build up the skin tones, focusing on highlights and midtones.

  5. step 05

    Add details to the eyes, nose, and mouth, refining the likeness.

  6. step 06

    Work on the ruff, capturing its intricate folds and highlights with small brushstrokes.

  7. step 07

    Refine the overall composition, adjusting values and adding final details.

  8. step 08

    Add glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · yellow ochre · cadmium red light

Mix various shades of brown and beige by combining burnt umber, raw sienna, and white. Use small amounts of red and yellow to warm up the skin tones. Achieve the ruff's highlights by mixing white with a touch of blue or gray.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brushing
  • ·portraiture
  • ·underpainting

common pitfalls

  • →Overblending the skin tones, resulting in a flat appearance.
  • →Failing to capture the correct proportions of the face.
  • →Ignoring the subtle value changes in the shadows.
  • →Making the ruff too bright or distracting.
  • →Not establishing a strong focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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