
plate no. 9509
Vladimir Makovsky, 1917
This painting provides an opportunity to practice capturing realistic textures and rendering a figure in a natural setting. Students can develop skills in color mixing to achieve subtle variations in skin tones and clothing.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and the bench.
Establish the background with a light wash of muted colors.
Block in the main areas of color for the figure's clothing and skin.
Develop the shadows and highlights to create form.
Add details to the face, clothing, and background.
Refine the edges and textures with visible brushstrokes.
Add small details like the leaves and newspaper.
Apply a final glaze if needed to unify the colors.
color palette
primary · burnt umber · yellow ochre · ultramarine blue · titanium white
secondary · cadmium red · raw sienna · ivory black
Mix browns and grays by combining umber, ochre, blue, and white. Use red and yellow to create warm skin tones, and add blue to cool them down. Create the vest color by mixing yellow ochre, white, and a touch of burnt umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein