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home·artworks·Portrait of a Man
Portrait of a Man by Pieter Codde

plate no. 9803

Portrait of a Man

Pieter Codde

oilBaroqueportraitportraitmanhatruffclothinghistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in subtle color mixing and creating a sense of depth through value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, hat, and shoulders on a circular canvas.

  2. step 02

    Establish the background color with a thin wash of warm beige.

  3. step 03

    Block in the main areas of color: the skin tones, the dark hat, the black clothing, and the white ruff.

  4. step 04

    Begin refining the facial features, paying close attention to the proportions and placement of the eyes, nose, and mouth.

  5. step 05

    Develop the shadows and highlights on the face to create a three-dimensional effect.

  6. step 06

    Add details to the ruff, suggesting the folds and texture of the fabric.

  7. step 07

    Refine the details of the clothing, including the subtle highlights and shadows.

  8. step 08

    Add the final details, such as the hair, mustache, and any jewelry.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · burnt sienna · cadmium yellow hue

Skin tones are achieved by mixing white, yellow ochre, and a touch of burnt sienna. Shadows are created by adding raw umber and ivory black to the skin tone mixture. The hat and clothing are primarily ivory black, lightened with raw umber for highlights.

techniques

  • ·portraiture
  • ·value shading
  • ·blending
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Using too much paint and losing the subtle gradations of color.
  • →Failing to create a sense of depth and three-dimensionality.

materials

surface · stretched circular canvas

required

  • ·Circular canvas (12-16 inches)
  • ·Oil paints: ivory black, raw umber, yellow ochre, titanium white, burnt sienna
  • ·Round brushes (sizes 2, 4, 6)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

A smooth canvas surface will be easier to blend on. Consider toning the canvas with a thin wash of raw umber before starting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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