apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a man
Portrait of a man by Nicolae Vermont

plate no. 0270

Portrait of a man

Nicolae Vermont, 1918

oilRealismportraitportraitmansuitfacemustachetie
some experience helpful

Recreating this portrait will help students develop skills in capturing likeness, mixing skin tones, and creating depth through subtle value changes. It also provides practice in rendering fabric textures and details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, paying attention to proportions and placement of features.

  2. step 02

    Block in the main shapes of the face, suit, and background with thin washes of color.

  3. step 03

    Begin layering in darker values to define shadows and contours.

  4. step 04

    Mix and apply skin tones, focusing on subtle variations in color and value.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Add details to the suit and tie, paying attention to fabric texture.

  7. step 07

    Adjust the background to create depth and contrast.

  8. step 08

    Add final highlights and details to complete the portrait.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light

Skin tones can be achieved by mixing white, yellow ochre, and a touch of red and umber. The suit is primarily black with subtle variations achieved by mixing in umber and white.

techniques

  • ·portrait sketching
  • ·value studies
  • ·color mixing
  • ·blending
  • ·layering

common pitfalls

  • →Getting proportions wrong in the initial sketch.
  • →Overworking the details too early.
  • →Using too much paint and losing subtle value changes.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy