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home·artworks·Portrait of a man
Portrait of a man by Émile Auguste Hublin

plate no. 1851

Portrait of a man

Émile Auguste Hublin, 1861

oil, canvasRealismportraitportraitmanchairclothingfigurebeard
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting textures of fabric and creating depth through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the oval canvas shape and the figure's pose, paying attention to proportions.

  2. step 02

    Block in the major shapes and colors: background, clothing, chair, and skin tones.

  3. step 03

    Refine the skin tones, layering colors to create depth and dimension in the face.

  4. step 04

    Add details to the clothing, such as the folds and highlights in the jacket and shirt.

  5. step 05

    Work on the chair, capturing its texture and form.

  6. step 06

    Refine the background, adding subtle variations in color and value.

  7. step 07

    Add the final details, such as the highlights in the eyes and the texture of the beard.

  8. step 08

    Glaze with thin layers to unify the painting and adjust values as needed.

color palette

primary · ivory black · burnt umber · raw sienna · cadmium red light

secondary · ultramarine blue · yellow ochre · titanium white

Mix skin tones using a base of raw sienna, white, and a touch of red. Use burnt umber and black for the dark areas of the clothing and background. Add small amounts of blue to darken the blacks.

techniques

  • ·portraiture
  • ·value studies
  • ·glazing
  • ·blending
  • ·layering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and making them look muddy.
  • →Not creating enough contrast between the light and dark areas.
  • →Ignoring the subtle color variations in the background.

materials

surface · stretched oval canvas

required

  • ·stretched oval canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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