
plate no. 1851
Émile Auguste Hublin, 1861
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting textures of fabric and creating depth through subtle value changes.
technical profile
approach — 8 steps
Create a light sketch of the oval canvas shape and the figure's pose, paying attention to proportions.
Block in the major shapes and colors: background, clothing, chair, and skin tones.
Refine the skin tones, layering colors to create depth and dimension in the face.
Add details to the clothing, such as the folds and highlights in the jacket and shirt.
Work on the chair, capturing its texture and form.
Refine the background, adding subtle variations in color and value.
Add the final details, such as the highlights in the eyes and the texture of the beard.
Glaze with thin layers to unify the painting and adjust values as needed.
color palette
primary · ivory black · burnt umber · raw sienna · cadmium red light
secondary · ultramarine blue · yellow ochre · titanium white
Mix skin tones using a base of raw sienna, white, and a touch of red. Use burnt umber and black for the dark areas of the clothing and background. Add small amounts of blue to darken the blacks.
techniques
common pitfalls
surface · stretched oval canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.
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