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home·artworks·Portrait of a Man
Portrait of a Man by Cornelis de Vos

plate no. 9691

Portrait of a Man

Cornelis de Vos

oilBaroqueportraitportraitmanruffchairclothingdrapery
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict complex textures and fabrics.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the proportions and composition of the portrait.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background, focusing on the subtle gradations of light and shadow.

  4. step 04

    Begin building up the skin tones, layering colors to create depth and realism.

  5. step 05

    Carefully render the details of the ruff, paying attention to the folds and highlights.

  6. step 06

    Work on the clothing, capturing the texture and patterns of the fabric.

  7. step 07

    Refine the facial features, focusing on capturing the likeness of the subject.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve skin tones by mixing titanium white, yellow ochre, cadmium red light, and a touch of ultramarine blue. Use ivory black and raw umber for dark areas, lightening with titanium white for highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the freshness.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle gradations of light and shadow.
  • →Making the ruff look flat and lifeless.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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