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home·artworks·Portrait of a Lady in a Black Dress
Portrait of a Lady in a Black Dress by Nicolaes Maes

plate no. 2918

Portrait of a Lady in a Black Dress

Nicolaes Maes, 1675

oilBaroqueportraitportraitfiguredresslandscapepearlshair
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and drapery. It also provides practice in creating depth through subtle value changes and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the main areas of color: background, dress, skin, and hair.

  3. step 03

    Begin refining the skin tones, using layers of thin paint to build up subtle variations in color and value.

  4. step 04

    Work on the drapery, paying attention to the folds and highlights to create a sense of volume.

  5. step 05

    Add details to the hair, using small brushstrokes to create texture and movement.

  6. step 06

    Paint the background, using soft, blended brushstrokes to create a sense of depth.

  7. step 07

    Add final details such as the pearl necklace and any highlights on the dress.

  8. step 08

    Glaze the painting to unify the colors and add depth.

color palette

primary · ivory black · titanium white · yellow ochre · burnt umber

secondary · cadmium red light · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and black for the dress, adding white for highlights. Mix ultramarine blue with burnt umber for the dark background.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery

common pitfalls

  • →Overmixing colors, leading to muddy tones.
  • →Failing to create enough contrast in values, resulting in a flat image.
  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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