
plate no. 2412
Julius LeBlanc Stewart, 1892
Recreating this painting will help students develop skills in portraiture, including accurate skin tone mixing and rendering fabric textures. It also provides practice in creating a sense of depth and form through subtle value changes.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on proportions and placement of the figure.
Block in the background with a dark, neutral tone.
Establish the main skin tones, paying attention to highlights and shadows.
Begin layering colors for the dress, focusing on the folds and drapery.
Add details to the face, including eyes, nose, and mouth.
Paint the lace and bow, using delicate brushstrokes to create texture.
Refine the overall painting, adjusting values and adding final details.
Add highlights to the dress and skin to create a sense of luminosity.
color palette
primary · titanium white · raw umber · cadmium red light · ivory black
secondary · yellow ochre · ultramarine blue · alizarin crimson
Skin tones can be achieved by mixing titanium white, cadmium red light, yellow ochre, and a touch of raw umber. The dress requires mixing cadmium red light with white and a touch of alizarin crimson for the pink hues. The background is primarily raw umber and ivory black.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein