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home·artworks·Portrait of a Girl
Portrait of a Girl by Helene Schjerfbeck

plate no. 5103

Portrait of a Girl

Helene Schjerfbeck

oilRealismportraitportraitgirlhairfurwillowchild
some experience helpful

Recreating this painting will help students practice capturing likeness and creating soft, diffused light effects. It will also provide experience in rendering textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the girl's head, shoulders, and hair.

  2. step 02

    Block in the background with a muted green, paying attention to the variations in tone.

  3. step 03

    Establish the main areas of light and shadow on the face, using a limited palette of skin tones.

  4. step 04

    Begin to define the details of the eyes, nose, and mouth, focusing on capturing the subtle nuances of expression.

  5. step 05

    Paint the hair, using short, directional brushstrokes to suggest the texture and form.

  6. step 06

    Render the fur collar with loose, broken brushstrokes, capturing the softness and fluffiness.

  7. step 07

    Add the willow branches, paying attention to their delicate structure and the subtle variations in color.

  8. step 08

    Refine the details and adjust the values as needed to create a cohesive and convincing portrait.

color palette

primary · titanium white · yellow ochre · raw umber

secondary · viridian · cadmium red light · ultramarine blue

Mix skin tones by blending white, yellow ochre, and a touch of red. Use raw umber to create shadows and define contours. Muted greens are achieved by mixing viridian with white and a touch of raw umber.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·color layering

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle nuances of the facial expression.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of value contrast in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. A limited palette of oil paints is sufficient for this painting.

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oil painting for beginners →how to learn by studying the masters →
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