apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Dutch master
Portrait of a Dutch master by Cornelis de Vos

plate no. 7659

Portrait of a Dutch master

Cornelis de Vos

oil, panelBaroqueportraitportraitfiguremanruffclothingbeard
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones. It also provides practice in depicting complex textures, such as the ruffled collar.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and collar.

  2. step 02

    Establish the background with a thin wash of dark brown.

  3. step 03

    Block in the main areas of light and shadow on the face, using a limited palette of skin tones.

  4. step 04

    Refine the facial features, paying attention to the subtle variations in color and value.

  5. step 05

    Begin working on the collar, building up the layers of white and gray to create the ruffled texture.

  6. step 06

    Paint the dark clothing, focusing on the folds and shadows.

  7. step 07

    Add details to the beard and hair.

  8. step 08

    Make final adjustments to the overall composition and lighting.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red

secondary · ivory black · raw sienna

Skin tones can be achieved by mixing white, yellow ochre, and a touch of red. Vary the proportions to create highlights and shadows. Use burnt umber and black for the dark areas of the clothing and background.

techniques

  • ·portraiture
  • ·value studies
  • ·layering
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations.
  • →Making the collar too flat and lacking texture.
  • →Not creating enough contrast between the light and dark areas.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne