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home·artworks·Portrait of a Dancer
Portrait of a Dancer by Basuki Abdullah

plate no. 7368

Portrait of a Dancer

Basuki Abdullah

oilRealismportraitfigureportraitdancerfoliagejewelrydress
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to depict fabric and jewelry.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure on the canvas, paying attention to the pose and overall composition.

  2. step 02

    Establish the background by loosely blocking in the dark greens and browns of the foliage.

  3. step 03

    Mix skin tones using a limited palette and apply them to the face, arms, and legs, focusing on the light and shadow areas.

  4. step 04

    Paint the dress using a mix of reds and pinks, creating folds and highlights to suggest the fabric's texture.

  5. step 05

    Add the details of the jewelry, such as the necklace and armbands, using yellows and golds.

  6. step 06

    Refine the facial features, paying attention to the eyes, nose, and mouth to capture the likeness of the subject.

  7. step 07

    Add the floral garland and other decorative elements, using whites and greens.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and realism.

color palette

primary · burnt umber · titanium white · cadmium red · yellow ochre

secondary · viridian green · alizarin crimson · cadmium yellow light

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and viridian green for the darker foliage. Mix alizarin crimson with white for the pink dress.

techniques

  • ·portraiture
  • ·skin tone mixing
  • ·fabric rendering
  • ·blending
  • ·glazing

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and losing the freshness of the paint.
  • →Failing to create a sense of depth in the background.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use good quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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