apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of a Cleric
Portrait of a Cleric by Diego Velázquez

plate no. 8114

Portrait of a Cleric

Diego Velázquez, 1623

oil, canvasBaroqueportraitportraitfigureclericclothingfacemale
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, capturing likeness, and creating realistic skin tones. It will also teach them about using a limited palette to create depth and form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the figure's proportions and placement on the canvas.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main areas of color: skin tones, clothing, and background.

  4. step 04

    Begin layering and blending the skin tones, paying attention to highlights and shadows.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Work on the clothing, using darker values to create depth and form.

  7. step 07

    Adjust the background to create the desired atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red light · yellow ochre

Skin tones are achieved by mixing white, raw sienna, and small amounts of red and umber. Darker areas use more umber and black, while highlights use more white and yellow ochre.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the face
  • →Over-blending the skin tones
  • →Failing to create enough contrast
  • →Getting the values wrong

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Burnt umber oil paint
  • ·Raw sienna oil paint
  • ·Titanium white oil paint
  • ·Ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·Odorless mineral spirits

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a canvas with a smooth texture for easier blending. Consider using a medium to thin the oil paint for glazing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne