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Portrait of a child by Silvestro Lega

plate no. 5238

Portrait of a child

Silvestro Lega, 1861

oil, canvasRealismportraitportraitchildroseslandscapeclothingsky
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding subtle color variations and blending techniques.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the child's figure and the placement of the roses.

  2. step 02

    Establish the background with a thin wash of muted blues and greens for the sky and distant hills.

  3. step 03

    Block in the main shapes of the child's face, hair, and clothing using simplified color blocks.

  4. step 04

    Begin refining the skin tones, paying close attention to the subtle shifts in value and hue.

  5. step 05

    Add details to the hair, using small brushstrokes to create texture and volume.

  6. step 06

    Paint the clothing, focusing on the folds and shadows to create a sense of depth.

  7. step 07

    Render the roses, using a combination of dark and light reds to create form and dimension.

  8. step 08

    Add final highlights and details to the face, hair, clothing, and roses to complete the painting.

color palette

primary · titanium white · raw umber · burnt sienna · Prussian blue

secondary · cadmium red · yellow ochre · ivory black

Achieve skin tones by mixing white, raw umber, and burnt sienna, adjusting the proportions to create highlights and shadows. Mix greens for the background by combining Prussian blue and yellow ochre.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·color mixing
  • ·rendering

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to capture the subtle shifts in value and hue, resulting in a flat or lifeless portrait.
  • →Ignoring the importance of accurate proportions, resulting in a distorted or unconvincing likeness.
  • →Getting the background colors too saturated, which will distract from the main subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·Prussian blue oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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