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home·artworks·Portrait of a Businessman K. Artsybushev
Portrait of a Businessman K. Artsybushev by Mikhail Vrubel

plate no. 3625

Portrait of a Businessman K. Artsybushev

Mikhail Vrubel, 1896

oil, canvasRealismportraitportraitmanchairbooksinteriordesk
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to create depth and form using subtle value changes and brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and key elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main shapes of the figure, chair, and background, using simplified color masses.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow on the face.

  5. step 05

    Develop the details of the clothing, books, and other objects, using a variety of brushstrokes to create texture.

  6. step 06

    Refine the background, creating a sense of depth and atmosphere.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Glaze with thin layers of color to adjust the overall tone and unify the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Mix various shades of brown and gray by combining burnt umber, ivory black, and titanium white. Use yellow ochre and cadmium red to create warm skin tones, and ultramarine blue to create cool shadows.

techniques

  • ·portraiture
  • ·underpainting
  • ·scumbling
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#6, #8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-textured canvas will provide a good surface for the brushwork.

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oil painting for beginners →how to learn by studying the masters →
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