
plate no. 9404
Adriaen van Ostade, 1685
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering subtle skin tones. It also provides practice in creating depth and form using a limited color palette.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the boy's head, hat, and shoulders onto the canvas.
Establish the overall background tone with a thin wash of muted browns and grays.
Block in the main areas of color for the skin, hair, hat, and clothing, focusing on the general values.
Begin refining the skin tones by layering and blending subtle variations of pinks, yellows, and browns.
Add details to the hair, using short, broken brushstrokes to suggest texture and movement.
Define the features of the face, paying close attention to the highlights and shadows that create form.
Paint the hat and clothing, using darker values to create contrast and depth.
Add final highlights and details to complete the painting.
color palette
primary · burnt umber · raw sienna · titanium white · ivory black
secondary · yellow ochre · cadmium red light
Achieve skin tones by mixing white, red, yellow ochre, and a touch of burnt umber. Darken colors with burnt umber or ivory black. Use thin washes of color for the background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a smooth surface for easier blending. Consider using a medium to thin the oil paints and speed up drying time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne