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home·artworks·Portrait Carl Ernst Von Stetten
Portrait Carl Ernst Von Stetten by Gustave-Claude-Etienne Courtois

plate no. 4848

Portrait Carl Ernst Von Stetten

Gustave-Claude-Etienne Courtois, 1878

oilRealismportraitportraitfiguremanclothinghandface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating subtle value gradations to model form. It also provides practice in achieving realistic skin tones and rendering clothing folds.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main areas of color, focusing on the skin tones, clothing, and background.

  4. step 04

    Begin refining the facial features, paying close attention to the highlights and shadows.

  5. step 05

    Develop the details of the clothing and hand, using short, broken brushstrokes.

  6. step 06

    Refine the background, ensuring it complements the figure without distracting from it.

  7. step 07

    Add final highlights and details to the face and clothing.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the depth.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red light · yellow ochre

Achieve skin tones by mixing white, raw sienna, and a touch of cadmium red. Use burnt umber and ivory black for the dark areas of the clothing and background. Add yellow ochre to the burnt umber for warmer tones.

techniques

  • ·underpainting
  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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