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home·artworks·Porträtt Av Hilma Westerholm
Porträtt Av Hilma Westerholm by Elin Danielson-Gambogi

plate no. 2473

Porträtt Av Hilma Westerholm

Elin Danielson-Gambogi

oilRealismportraitportraitfigurechairinteriorapplecarpet
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to depict fabric and interior spaces with accurate perspective and lighting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, chair, and background elements.

  2. step 02

    Establish the overall value structure by blocking in the darkest and lightest areas.

  3. step 03

    Mix a range of skin tones and begin layering paint on the face, paying attention to subtle shifts in color and value.

  4. step 04

    Work on the clothing, focusing on the folds and drapery of the fabric.

  5. step 05

    Paint the chair, capturing its texture and form with careful brushwork.

  6. step 06

    Develop the background, including the furniture and wall, using a limited palette.

  7. step 07

    Add details to the carpet, creating a sense of depth and pattern.

  8. step 08

    Refine the painting by adjusting values, colors, and edges to create a cohesive and realistic image.

color palette

primary · ivory black · yellow ochre · burnt umber · titanium white

secondary · cadmium red · ultramarine blue · raw sienna

Achieve skin tones by mixing yellow ochre, burnt umber, and titanium white, adjusting the proportions to create variations in warmth and coolness. Darken colors with ivory black and lighten with titanium white.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions in the figure.
  • →Ignoring subtle shifts in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ivory black, yellow ochre, burnt umber, titanium white, cadmium red, ultramarine blue, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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