apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Porträt der Rosine Fischler, Gräfin Treuberg
Porträt der Rosine Fischler, Gräfin Treuberg by Wilhelm Leibl

plate no. 0685

Porträt der Rosine Fischler, Gräfin Treuberg

Wilhelm Leibl, 1878

oilRealismportraitportraitfiguredresschairwomanbook
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and subtle skin tones, as well as understanding how to suggest form with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure.

  2. step 02

    Block in the main areas of color, focusing on the large shapes of the dress, background, and skin tones.

  3. step 03

    Develop the background with loose, blended strokes, creating a soft, diffused effect.

  4. step 04

    Refine the skin tones, paying attention to subtle variations in color and value.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, using small, precise brushstrokes.

  6. step 06

    Work on the dress, capturing the folds and textures with a combination of blending and visible brushstrokes.

  7. step 07

    Add the book and other details, such as the jewelry, with careful attention to their form and color.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced.

color palette

primary · titanium white · raw umber · ivory black · cadmium red light

secondary · ultramarine blue · yellow ochre · burnt sienna

Mix skin tones using white, red, and umber, adjusting the proportions to achieve the desired warmth and coolness. Use ultramarine blue and white to create the cool tones in the dress and background.

techniques

  • ·portrait sketching
  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Failing to capture the subtle variations in skin tone, leading to a flat and lifeless portrait.
  • →Ignoring the importance of value contrast, resulting in a muddy and indistinct image.
  • →Not establishing a clear focal point, causing the viewer's eye to wander aimlessly.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette knife

optional

  • ·linseed oil
  • ·turpentine
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy