apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Port of imaginary city
Port of imaginary city by Konstantin Bogaevsky

plate no. 7987

Port of imaginary city

Konstantin Bogaevsky, 1932

oilSymbolismcityscapecityscapewaterbuildingsskycloudsboats
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex architectural forms with subtle color variations. It also provides practice in creating reflections and depicting a sense of depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and perspective lines of the cityscape, focusing on the main buildings and water line.

  2. step 02

    Establish the horizon line and the vanishing points to guide the perspective of the buildings and reflections.

  3. step 03

    Block in the large areas of color for the sky, water, and buildings using thin washes.

  4. step 04

    Begin layering colors to create depth and atmosphere, paying attention to the subtle shifts in hue and value.

  5. step 05

    Add details to the buildings, such as windows, architectural features, and textures.

  6. step 06

    Paint the reflections in the water, mirroring the colors and shapes of the buildings above.

  7. step 07

    Refine the details and add highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Add final touches and adjust colors as needed to achieve the desired effect.

color palette

primary · cerulean blue · raw umber · titanium white

secondary · burnt sienna · yellow ochre · payne's grey

Mix blues and whites for the sky, adding small amounts of umber or sienna to create subtle variations. Use umber and sienna mixed with white for the buildings, and add blue to create cooler tones for shadows.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·glazing
  • ·scumbling
  • ·reflected light

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong sense of perspective.
  • →Using colors that are too saturated or intense.
  • →Ignoring the subtle shifts in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic gesso
  • ·cerulean blue oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull