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home·artworks·Pope Urbanus VIII (Maffeo Barberini)
Pope Urbanus VIII (Maffeo Barberini) by Pietro da Cortona

plate no. 8559

Pope Urbanus VIII (Maffeo Barberini)

Pietro da Cortona, 1627

oilBaroqueportraitportraitfigurechairclothinghistoricalBaroque
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering complex fabrics and textures. It also provides practice in creating depth and volume through careful observation of light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and proportions of the figure and chair.

  2. step 02

    Establish the background with a thin wash of warm, neutral tones.

  3. step 03

    Block in the main areas of color, starting with the darkest shadows and gradually working towards the highlights.

  4. step 04

    Focus on accurately rendering the facial features, paying close attention to the subtle variations in tone and color.

  5. step 05

    Develop the details of the clothing, including the intricate lace and the folds of the fabric.

  6. step 06

    Refine the highlights and shadows to create a sense of depth and volume.

  7. step 07

    Add the final details, such as the ring and the paper in the figure's hand.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · cadmium red · titanium white · raw umber

secondary · yellow ochre · ivory black · ultramarine blue

Achieve the red hues by mixing cadmium red with varying amounts of raw umber and white. Create the off-white tones by mixing titanium white with small amounts of raw umber and yellow ochre.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·fabric rendering
  • ·underpainting

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a convincing sense of depth and volume.
  • →Not capturing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 18x24 inches) is recommended for this project.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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